A | Kartik Aaryan and Ananya Panday are currently promoting their new film Tu Meri Main Tera Main Tera Tu Meri. In a recent event, Ananya and Kartik had a hilarious conversation about their respective parents troubling them for basic phone-related issues. In one such instance, Kartik shared how his mother Mala Tiwari would keep calling him for OTPs. He said, “My mom keeps calling me for that, Beta OTP dena (Son, please share the OTP).” Ananya, finding the conversation relatable, instantly noted that her father Chunky Panday also asks for OTPs from her. “I feel like they don’t even wait for me to give OTP; they just need it instantly. I had a long conversation with them about how they have to fix this. And then they don’t even fix another date to come back, like what’s happened to the money? Is it lost? It’s a big problem,” she said.Kartik further added that his mother would disconnect the call as soon as she has received her OTP from him. “Mom phone karke cut kar deti hai, OTP dena and then cut (Mom disconnects the call after I give her the OTP),” he added. Ananya Panday has opened up about her dynamics with father Chunky Panday time and again. In a previous interview with We Are Yuvaa, Ananya had shared about watching her father's movies as a child. She had revealed, “I used to not watch much because I would get very scared that you were going to die in the movie. I remember when I was young and saw D Company, and suddenly you got shot and died in the movie. I thought it was actually happening, even though you were sitting right next to me. I was traumatised, so I didn’t watch too many of your movies because I thought you were going to die in all of them.”Also Read: Ananya Panday Steps Away From Choomantar?。 When Alphonse Puthren’s Premam hit theatres on May 29, 2015, few could have predicted the tidal wave it would unleash. A film that eschewed conventional romantic tropes in favour of raw, organic storytelling, Premam captured the hearts of Malayali audiences and quickly spilled over into pan-Indian pop culture. It wasn’t just a film, it was a phenomenon. A Genre Reimagined—How Premam Redefined Romance for a Generation Told in three acts, each representing a phase of George’s (Nivin Pauly) romantic life, Premam took a structurally bold approach to love on screen. It was a coming-of-age tale, but one that resisted the overwrought drama typical of love stories. Instead, it focused on the small, fleeting details; the glances, silences, heartbreaks, and awkwardness of youth. That made it more relatable. More significantly, it brought about a tonal shift in Malayalam romantic cinema. This was no longer about larger-than-life lovers, but ordinary people in everyday situations. In many ways, Premam reintroduced a kind of emotional minimalism that would later echo through countless films, from Aanandam to Hridayam. Technical Craft and Iconic Performances—A Film That Felt Like a Vibe Technically, Premam was a masterclass in seamless storytelling. Anend C. Chandran’s cinematography glowed with warmth and nostalgia, his frames capturing Fort Kochi and other locales with a lyrical intimacy. Rajesh Murugesan’s soundtrack was integral, not supplementary to the narrative, with songs like Aluva Puzha and Malare becoming generational anthems. In fact, the film’s sonic texture did more than enhance mood; it drove emotional beats in the absence of heavy dialogue. The editing, also by Alphonse Puthren, gave Premam its rhythm: casual, unhurried, and honest. There were no sharp tonal shifts, only fluid transitions from laughter to heartbreak. It reflected a new cinematic language, one that embraced pauses and imperfections. Performances too were career-defining. Nivin Pauly shed his boy-next-door skin to become a poster child for youthful vulnerability. Sai Pallavi’s debut as Malar was magnetic and effortlessly graceful, with the kind of quiet intensity that made her an overnight star. Madonna Sebastian and Anupama Parameswaran completed the trio of memorable women, each nuanced and never written as just love interests. They had agency, identity, and arcs of their own. Legacy and Imitations—Why No One Could Replicate Premam Over the years, Premam inspired an entire wave of soft romances and youthful dramas across industries. Yet, none could replicate its magic. Even the Telugu remake, though commercially successful, lacked the understated soul of the original. What set Premam apart was its authenticity. It never tried to preach or stylise love; it just let it exist. View this post on Instagram A post shared by Nivin Pauly (@nivinpaulyactor) Culturally, Premam became a visual and sartorial blueprint. From Nivin’s beard to Sai Pallavi’s half-sari look and chalk-dusting classroom entry, every frame became a mood board. Its dialogues became memes, its characters icons, and its music a staple of college playlists. More importantly, it changed how a generation viewed love. Not as conquest, but as growth. See Also: Premam director Alphonse Puthren says Kamal Hassan should be made Tamil Nadu CM。
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